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Find or Refer a Contractor in Tyler

Clicks Live in Tyler TX

June 14th, 2011

Clicks Live
Clicks has been a part of Tyler for years as a local bar with a pool hall and venue for live music. The concentration on live music aspect of the bar has definitely been gradually increasing over the years taking Clicks from an average musky dive bar where the local pool leagues meet to the only place to play a concert in Tyler that isn’t inside a church. Clicks Live has a 30 square foot stage with enough audio equipment to accommodate the volume of nationally recognized bands such as Drowning Pool, and House of Pain as well as local bands.

Clicks Live has become a collective of Tyler’s variety of colorful social groups, since Tyler has such a limited selection of stages to offer bands you end up with the young and the old, or the Nu Metal crowd mingling with dub step fans, all drinking under the same roof. There’s a solidarity that comes with a place you can watch your friends perform and where you can dance to your favorite music.

Clicks Live has the same dark and bustling atmosphere you would expect from a night club, in fact you could consider it a club partially considering that when bands aren’t preforming there’s always a dance floor and bar music to get people moving. But when you don’t feel like moving it on the dance floor Clicks Live has a long bar in which to sit and enjoy a drink with plenty of room for the number of people that show up to Clicks on average.

Clicks Live, as it’s name suggests, began as a pool hall and bar primarily which is still around today and playing a part in keeping the customers at Clicks Live happily entertained with the classic seizure sport no bar is complete without.

Of course a major limitation to Clicks Live is the inherent fact that it is a business first and foremost and while it is known for the music preformed on its stage you can be sure the musical styles will be majorly reflective of what is popular in East Texas and what is appealing to the management, while not every single band is cringe inducing nu-metal and the like, most of the band that preform their definitely are not anything to write the label about.

However, in an appeal to good taste Clicks Live does occasionally venture into the shallow end of alternative styles, booking talented local artists who are hungry for the opportunity to play some surf rock or maybe a little synth rock for an audience that may be smaller in number than most but has also been waiting a long while to see bands like Knifight without having to drive hours to a major city to reach the venue. But “How does Clicks Live provide an adequate location for professional musicians?” you might ask.

Clicks Live is more than prepared for the requirements needed to house serious music, they have a professional sound booth consisting of a 40 Channel Soundcraft Mixing Console, a 32 Band Dual Equalizer, DBX Drive Rack, a Presonus 8 Channel Compressor / Gate, and a Reverb Unit with Tap Delay.

When it comes to giving the music rumbling depth Clicks Live is ready with four TurboSound TXD218 Dual 18″ Enclosures powered by two Yamaha PS7000 Amplifiers poised to handle the Dubbest of Step and the Hippest of Hop while the high end will be covered with four TurboSound TXD252 Dual 15″ Enclosures amplified by four QSC 2500’s to bring an all around excellent concert experience.

Clicks Live uses four monitors to ensure the musicians can preform to their best capability. The stage at Clicks measures 30 ft. wide by 30 ft. long and 3 ft. high with 16 ft. between the stage and ceiling and an 8’x8′ 18″ high drum riser a band playing at Clicks can be sure of all of the booking info before hand and not have to worry about any incompatibility between their performance and the venue.

Clicks Live also has a fantastic patio area with a fire pit and plenty of seating, although you will mostly find people on their feet huddled into smoking circles and waiting for the next band to start rather than lounging in the lawn furniture. Clicks Live has even brought entertainment in the form of the musical arcade game Rockband to the party and for a few quarters two people can have their own jam session on top of the already raging noise of the bar and over the music already being played in a confusing and redundant form of virtual karaoke that honestly would probably be better off if it was a classic arcade game like street fighter or something.

Clicks is not only a hot spot for the many music scenes of East Texas but also for the pool and poker scenes, as free Texas Hold Em’ games are hosted on mondays and wednesdays with games starting at 8pm and 10pm, while the APA pool leagues meet Sunday afternoon for 8 ball, Monday evening for 9 ball, and Tuesday evening for 8 ball games. Even though Clicks may not always have the cream of crop when it comes to bands, actually it may be pretty rare for a decent international band to play the venue but it’s still definitely worth keeping your eye on their lineup.

If you are lucky one of your favorite bands just might stumble upon this little bar show, perhaps you enjoy the heavily metal styles of The Sword but would never expect them to really play a show in Tyler, well think again chump because The Sword is playing their legendary black metal at Clicks Live on June 13, a night that will most surely be a storm of metal the likes of which Tyler has never seen. Clicks Live has become a mildly eclectic bar and will hopefully continue this trend with an open mind and good sense of music and style.

Racial Bias in the Sports Media

September 3rd, 2010

Early yesterday morning shortly after the sun came up I rolled over and flipped on a certain sports television network. As I lay in a flu- induced fog I listened to one of the most frustrating and (in my opinion juvenile) discussions I have heard in any news venue in a while. The topic at hand was whether or not Bret Favre had benefited from a racial biased in the sports media, that minority athletes would not have, had they behaved in the same manner! Really?! Is this how far we’ve descended?! As a teacher this sounds a lot like arguments I’ve heard from students who compare their offences and punishments to those of other students. Well let’s look at Brett Favre’s record.

Has Brett ever gone to prison? No, at least not recently anyway? Has Brett ever been in trouble for smuggling a gun into a night- club? No? Has Brett been known to hang around the women’s rooms of clubs and hotels? No? Has Brett ever participated in a sport where one animal was trained to tear apart another for the amusement of his guests? No? Does Brett throw himself week- long lavish birthday parties, and generally behave like he’s bi-polar? Not usually? Has Brett started to believe a little too much in his own legend? Yeah, probably. Does Brett need to hang it up before his legacy is ruined buy his indecisiveness? Again yes.

So now we ask ourselves how many of the above offences are annoying, and how many are actually offensive. The fact is I wish Brett would retire as much as anyone, but to suggest that he hasn’t taken enough of a beating over his behavior in the press is crazy. There is no racial component here. What must the media do, beat up all the harder on Brett because he happens to be a white guy? At what point can we as a society stop worrying about the racial context to every news story? Anytime a person (of any race) finds that they are either in trouble or losing an argument, they look for the opportunity to drop the “R” word. Why can’t we each be responsible for own individual indiscretions and short- comings? How about we hold Brett accountable for Brett’s short comings, and Big Ben for Big Ben’s and Michael Vick for Michael Vick’s and so forth and so on. The sooner we as a society stop interpreting every comment and event through the lens of race the better off we will be.

I should also say that I’m not suggesting that the press has been too hard on number four either. I don’t think he’s treated his teammates or fans well the last few years. Frankly, I’m tired of the Brett Favre saga. And I’m not just saying that because he’s white.